Ghufran’s essay explores the complexities of a Muslim girl’s bildungsroman—getting her period, fasting and praying, wearing a hijab, the unspoken rules surrounding her livelihood—and the unexpected grief that comes with it.
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Maitha AlSuwaidi writes a melancholic letter to her brother: “You’re funny when you try to be. And you’re caring when you want to be. I admire that about you. I also admire that you don’t try hard to impress our mother, and I think your nonchalance ironically impresses her.”
“I agreed to [writing my IBO Extended Essay on Returning to Haifa] simply because it was less than a 100-page read. In retrospect, choosing to write an analysis on it and documenting the Palestinian struggle was one of the best decisions I ever made in academia.
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Alia AlGhurair shares a gentle reflection on her months February to April. An exploration of change, movement, and binary emotions that co-exist within us, Alia writes an essay that makes us all feel slightly less alone.
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“Times are changing, and the prospect of living alone is being laid on the table in even some of the most conservative, family-based societies, like those of The Gulf.”
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The breath is what separates the dead from the living, and while we can still be breathing and living, we are oblivious and unconscious, more likely dead than alive.
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That dress didn’t care about its location, it spoke for itself and stood out on its own. It had its own borders and made me feel included.
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The progression of the plot, nature of the characters, and profound influence of the setting work collaboratively to birth a revolutionary novel.
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“You need to know that you aren’t on your own even if everything indicates the opposite. The word needs to reach you.”
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Nevertheless, I think that home is every place I went to and made a memory in (…) I am, maybe, in the pursuit of the place I would eventually call the ultimate home, but maybe my ultimate home is this world we live in.
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